Syllabus data
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Teacher name ： NAKASHIMA Tomoaki
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Academic year
2025Year
Term
First Semester
Course title
Architectural History and Theory in Europe
Class type
Lecture
Course title (ENG)
Architectural History and Theory in Europe
Class code・Class name・Teaching forms
Z1900009 Architectural History and Theory in Europe
Instructor
NAKASHIMA Tomoaki
Credits
2.0Credits
Day and Time
Tue.2Period
Campus
Shinjuku Campus
Location
A-0514教室
Relationship between diploma policies and this course
A) A high degree of specialized expertise 100%
B) The skills to use science and technology 0% C) The ability to conduct research independently, knowledge pertaining to society and occupations, and sense of ethics required of engineers and researchers 0% D) Creative skills in specific areas of specialization 0% Goals and objectives
The "History" is a human collective Memory. Personal or collective identity is composed of this "History". The "History" relativizes our thinking. Your knowledge of the architectural history supports your architectural "Theory", one of main domains of "Architecture", as important as "Fabrication" according to Vitruve.
In this course, you understand diverse cultural, political and social contexts of historic buildings by means of diverse methodologies of the architectural history which you learn reading a paper or a work concerning the architectural history and analysing its background, aim, method and conclusion. Prerequisites
None.
Method Using AL・ICT
Interactive classes using ICT
Class schedule
1. Introduction of Opera into France: Salle des machines at Tuileries Palace
Architectural features of the Salle des machines and represented works Preparatory learning: Reading résumés concerning this lecture 2. Birth of the French Opera: Theaters of Paris Opera in the Early period Architectural features of theaters of Paris Opera in the Early period and represented works Preparatory learning: Reading résumés concerning this lecture 3. Paris Opera under Louis XIV : Salle du Palais Royal Architectural features of the Salle du Palais Royal and represented works Preparatory learning: Reading résumés concerning this lecture 4. idem 5. Divertissements of Versailles: Opera representations in temporary theaters Architectural features of Versailles temporary theaters and represented works Preparatory learning: Reading résumés concerning this lecture 6. idem 7. Paris Opera under Louis XV : Nouvelle salle du Palais Royal Architectural features of the nouvelle salle du Palais Royal and represented works Preparatory learning: Reading résumés concerning this lecture 8. Opéra royal of Versailles : noces of Marie-Antoinette d’Autriche and Louis de France Architectural features of the Opéra royal of Versailles and represented works Preparatory learning: Reading résumés concerning this lecture 9. Paris Opera under Louis XVI and the French Revolution : Salle de la porte Saint-Martin Architectural features of the salle de la porte Saint-Martin and represented works Preparatory learning: Reading résumés concerning this lecture 10. Neo-Classical theaters: Salle de la rue de Richelieu by Victor Louis Architectural features of the salle de la rue de Richelieu and represented works Preparatory learning: Reading résumés concerning this lecture 11. idem 12. Paris Opera in 19th century: Salle Le Peletier Architectural features of the Salle Le Peletier and represented works Preparatory learning: Reading résumés concerning this lecture 13. Paris Opera under Napoleon III: Palais Garnier Architectural features of the Palais Garnier and represented works Preparatory learning: Reading résumés concerning this lecture 14. Revising lectures Preparatory learning: Revising lectures 15. Revising lectures Preparatory learning: Revising lectures Evaluation
Two credits are given to persons of 60 points or more of paper.
Feedback for students
Oral comment when returning the report.
Textbooks
None.
Reference materials
AUCLAIR Mathias (dir.) : L'Opéra de Paris : 350 ans d'histoire, Montreuil, 2019 (in French)
MIURA, Atsushi, et al.: Dialogues of the Muses: The Paris Opera House and the Arts, Artizon Museum, 2022 (in Japanese / English) Office hours and How to contact teachers for questions
Time and day: 13:30-14:00, Wednesday, First semester
Office: room 2676, 26F, Shinjuku campus Message for students
I recognize that the activities of your studio are the most important, but I think that participation in diverse courses is also important for evoking various interests worthy of master course student. I hope that this course helps your study at the master course.
Course by professor with work experience
Not applicable
Work experience and relevance to the course content if applicable
Teaching profession course
Architecture Program
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