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教員名 : M. カーニー
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開講年度
2025年度
開講学期
前期
科目名
Productions
授業種別
講義
科目名(英語)
Productions
授業情報(授業コード・クラス名・授業形態)
Z1600002 Productions [対面]
担当教員
M. カーニー
単位数
2.0単位
曜日時限
水曜3限
キャンパス
新宿
教室
A-0475教室(大学院工学研究科)
学位授与の方針
A 専攻する研究領域における高度な専門知識を身につけたもの 0%
B 科学技術を運用する能力を身につけたもの 80% C 主体的に研究に取り組み、社会や職業についての知識や技術者や研究者として必要な倫理観を身につけたもの 20% D 特定の専門領域における創成能力を身につけたもの 0% 具体的な到達目標
This course will utilize the three fundamental elements of the Vitruvian design process to analyze productions: in this course, the term productions refers to a myriad of works, including but not limited to, structures, machines, substances created through chemistry, art works and philosophies, planned urban environments, electronic devices, and items created for sale.
The course will begin with an examination of the primary tenet of Vitruvius, the 1st Century BC Roman author. Although referred to as an architect, it must be remembered that the Latin term of that time had a much broader meaning than the term architect holds today: in Rome at that time, the term architect included – architecture, construction engineering and management; civil, material, mechanical, and chemical engineering, and urban planning. Thus, in this course, the term architect will mean one who designs. The primary principle of Vitruvius, expressed in his De architectura, is the Vitruvian Triad: firmitas, utilitas, and venustas, which in this course will be termed structure, function, and aesthetic. The Vitruvian Triad concept will be utilized in analyses of productions from throughout history to reveal that “good” designs adhere to this Vitruvian principle of design. 受講にあたっての前提条件
No Prerequisite
AL・ICT活用
ディスカッション・ディベート/プレゼンテーション
授業計画
Week 1: Overview of course; defining the Vitruvian Triad
Weeks 2 – 4: Examination of Ancient World productions (every region of the World) Week 5: Examination of Medieval European productions Weeks 6 - 7: Examination of Post-Ancient World Asian productions: East Asia, India, the Islamic World Week 8: Examination of Renaissance (European) productions Week 9: Examination of Enlightenment productions that sparked the Industrial Revolution Weeks 10 – 11: Examination of Industrial Revolution productions Weeks 12 – 14: Examination of 20th Century productions and Contemporary Productions Week 15: Contemplation of future productions 成績評価の方法
Grades will be determined through projects, participation, and papers.
受講生へのフィードバック方法
In class verbally and in comments on papers.
教科書
No textbook is required for this course.
参考書
None required; suggestions:
The Greeks: History, Culture, and Society. Ian Morris & Barry B. Powell. Prentice Hall: 2010. The Postmodern Urban Condition. Michael J. Dear. Blackwell Publishers: 2000. Roman World. Greg Woolf (editor). Cambridge University Press: 2003. The Work of Art in the Age of Mechanical Reproduction. Walter Benjamin. CreateSpace Independent Publishing Platform: 2010. A World History of Architecture. Michael Fazio, Marian Moffet, & Lawrence Wodehouse. McGraw-Hill: 2008. オフィスアワー
Shinjuku Campus (A-2737): Thursday 13:00 - 13:50 and by appointment.
受講生へのメッセージ
The thought processes behind the creation of good designs are vital to the productions achieving success; Productions will help you develop these thought processes.
実務家担当科目
実務家担当科目ではない
実務経験の内容
教職課程認定該当学科
該当なし
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